Here are the notes I took in Daniel Jose Older's class on SkillShare. He talked about the fundamentals of storytelling: Character, Conflict, Context and Craft. Hope it helps.
Character
· Have a crush on your character.
·
Mention what details about them matter to
their fellow characters.
·
These details will also matter to readers.
·
Your character must have a desire – it’s the
engine of your story.
·
We don’t actually have to like a character.
Conflict
·
Backbone of story.
·
Crisis is the element of conflict.
o
What’s at stake?
o
Why does it matter?
o
What’re the consequences?
·
Conflict is the music of story - Robert McKee
·
2 types of conflict: internal and external.
Intertwine them for a powerful story. This allows you to play with a more
complex ending.
·
Don’t clutter, be strategic. Connect
everything.
·
Readers must realize what is at stake.
Context
·
Place + Time + Power = Context
·
World building is important. Otherwise
there’ll be a white space behind the scene.
·
Mention a few things about the world and let
your reader's subconscious mind fill in the rest. Trust
them with their imagination.
·
Mention what do your characters hear, smell
or feel.
·
Mention whether they are attached to particualr place etc.
·
A street can tell a whole story just by the
different storefronts on it.
Craft
· The good thing about craft; you don’t have to have an amazing craft but
you have to have clarity.
·
Read your story out loud. 90% of craft
errors occur because writers don’t read their stories aloud.
·
Have different types of sentences: short,
medium, long. Having to read the same type of sentence over and over again
hurt our eyes, ears and mind.
·
Things to Avoid (not hard rules)
o
Overwriting: Readers are intelligent. Don’t
assume they won’t understand what you’re talking about and make your story
wordy by explaining every tiny detail.
o
Passive Voice: Avoid it. Instead of saying,
‘The pen was picked up by me.’ Say, ‘I picked up the pen’. It’s an awkward way
to say things in a novel. Another reason to not use it is that it can weaken the clarity of your writing.
Using passive voice is a way to avoid responsibility. Don’t use it unless it is necessary. Is your character going to avoid responsibility?
Using passive voice is a way to avoid responsibility. Don’t use it unless it is necessary. Is your character going to avoid responsibility?
o
Be careful about the verb ‘to be’. It’s a
dead verb. Use it selectively.
o
Think economically. If you can get done a
couple of things with one sentence, then you are giving your readers a lot more
per word and per sentence. They will be more engaged.
o
Adverbs: He said loudly X
He yelled √
Don’t give your readers extra words they don’t need.
He yelled √
Don’t give your readers extra words they don’t need.
o
Avoid using words like stated, replied etc.
o
NEVER say ‘he said sarcastically’. Your
readers are supposed to understand it was a sarcasm.
o
Circle all the ‘to be’ used in your story,
underline passive voices and put a star near adverbs and figure out why they
are there and whether they are necessary or not.
·
Don’t think about your edits while writing.
It’ll ruin all the fun and trap you in the golden cage of perfectionism. Be a
perfectionist when you are editing.
Conclusion
·
The 4Cs must be balanced. And the balance
depends upon the kind of story you are telling. There are stories that are about
a character and in such a case, more emphasis should be given on the character while
maintaining the other balancing the other 3Cs.
Similarly, there are stories which emphasize the world and characters are like a pawns in that huge world – they still have to be awesome characters.
Similarly, there are stories which emphasize the world and characters are like a pawns in that huge world – they still have to be awesome characters.
·
Craft must hold everything together.
·
Conflict must always be there.
· Use these tools
diagnostically.
___Author’s Note___
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